Song of the Moment

J. Cole - Lost Ones

Friday, July 8, 2011

Rant #19 - "July 6th, 2011"



A long time ago, probably sometime in March, I noticed a show coming to Summerfest that I couldn't pass up. Back then, when I approached a few people about going to see Cage the Elephant, Florence + The Machine and The Black Keys, the biggest response I got was, "I've never heard of any of those three bands." Sad. Really sad. Naturally there are a couple folks out there that heeded my advise and listened to the bands, and knew there was no chance they could miss this epic show. And here I am, going to tell you about it.

It started with Cage. And I was mistaken, I had thought Flo was going to open. So as we walked in the venue, we were greeted with 'Aberdeen' from their latest record. They played a solid combo of new stuff and "old" stuff - which dates back just a couple years. They had a pretty solid following there, and had a pretty good crowd singing along with 'Ain't No Rest For The Wicked'. And overall, they put on a MUCH better show than they did back at the Rave opening for STP. I'm not sure the crowd overall cared much about them though, as it was clear by the amount of people present for them versus Flo. It could have just been the timing of it all, but it seemed people had no problem missing Cage and getting a little extra tipsy. I wouldn't say they missed anything super amazing.

Flo came on next. And boy did she come on hard. She strolled out in a long cape type thing, and there were roses set on her mic stand. And I just want to make one comment no her before I go on. If you have ever listened to 'Lungs' in your life, it seemed pretty clear that she can sing. Now, typically when you listen to a recorded record, it sounds outstanding. They polish up the vocal and it sounds like angels singing. Well B Siders, there was no difference record to live. Florence can absolutely, positively sing the sh*t out of any song she wants. She could even manage to make the most primal of screams into the mic sound like the most beautiful thing ever. She played one new song, the only one that wasn't off of her sole album. Seemed clear the biggest pop was for 'Dog Days Are Over', but she had people singing and moving the whole time. She had a pretty large band accompanying her on stage, including the harpist - who did an outstanding job. All in all, the energy she brought forth and the way she got the crowd involved - it was outstanding. When the performance was said and done, I turned to my friend and asked, "What are the odds her show overshadows the Black Keys?" It was that good.

The hype was mounting. People were waiting and waiting to see one band, The Black Keys. And what shocked me was the very different brands of music these three acts brought to the table. We had a ton of Flo fans in front of us, and I didn't think they cared as much about the Keys. Well fans, everyone in that venue cared about the Keys. And boy it showed in the applause and hoopla. They opened with 'Thickfreakness' which was a great start to the show. They proceeded to play another four songs with just the two-some on stage, and sounded like there could have been 100 guys on stage strumming the guitar. And just a side note, the two guys, Pat on the drums - who could EASILY be one of the best drummers in music today. Honestly, check him out. And then Dan on guitar, who is no slouch in his own right. Give him a little more time, people are going to start to notice nationally. Anyways, after the first few songs they brought out a bass man and then a keyboardist. They started to rail through songs off the latest album, 'Brothers'. Seemed to be highlighted by their performance of 'Tighten Up' - but honestly, all the songs had a shocking number of people belting it out along with them. The back crew left again, and they went on with 'I'll Be Your Man' which is the track that tuned me into the Keys. 16 tracks total before they called it quits, only to come back out and do a double encore. In short, this show was PHENOMENAL. The whole thing was, but the Keys were amazing. I would pay my hard earned money anyday to see them again live. It honestly blew me away.

This show seemed to be one of those "once in a lifetime" deals. If those three bands ever perform together again, SEE IT! Pay money, go see it! I promise you won't leave feeling disappointed. And for the love of Pete, if The Black Keys come to a venue near you, see them. If you haven't checked them out yet, then they're still one of the best bands in existence you're not listening to. Now if only my dream show would come true, Eels and Black Keys. I think I need to send an email out to some management teams...

Happy Friday B Siders!

Wednesday, July 6, 2011

Black Keys - The Big Come Up



Is it any secret that one of the best shows of the year is going down tonight? Florence + The Machine, Cage The Elephant and the Black Keys. One night only, Summerfest, Milwaukee, Wisconsin. It's going to melt my face off in rock amazingness. I wanted to run a review from one of those three artists today, and then by default it had to be these guys. I've reviewed Flo's one album and Cage's two. Since I've only done two of the Keys records, I still have many more to go. I decided to run with 'The Big Come Up' today, because that's where I got started. Devotees may recall how I was introduced to the band, and that was via a TV show on HBO. The intro to that show is the track 'I'll Be Your Man'. I knew right from that sick opening this was a band I could probably jive with. I proceeded to pick up every album they've ever made shortly there after. In total, this is probably in the middle of my favorites, but if you listen to it - it's still a great record. They have this sound, this dirty guitar, dirty vocal - made in the garage type sound. And they never stray from it. They stick to that normally fast paced dirty arrangement and it just flat out works. Having heard every album they've ever done, they all somehow sound unique and have tracks you can identify with each specific record. This one has a couple anthems (as I like to call them) in which you can put on that track, and everyone listening is going to be captivated. Naturally, those will be in my Top 3 tracks. I'll be listening to these guys all day to get pumped for the show, and so I can sing along later. I suggest you all listen today too, concert or no. You can't go wrong with some Keys.

TRACK LISTING:
1. Busted
2. Do the Rump
3. I'll Be Your Man
4. Countdown
5. Breaks, The
6. Run Me Down
7. Leavin' Trunk
8. Heavy Soul
9. She Said, She Said
10. Them Eyes
11. Yearnin'
12. Brooklyn Bound
13. 240 Years Before Your Time

Listen To Samples

Top 3 Tracks:
1. Breaks
2. Countdown
3. I'll Be Your Man

FINAL RATING:
4 out of 5 stars

The Band Perry - Self Titled



It's actually quite frightening how into routines we all get. I mean, yesterday was clearly Tuesday, but because it was my first day back to work after the holiday, it didn't even dawn on me. So, my sincerest apologies for not dropping any New Music Tuesday bombs on you guys. Looking today, there wasn't much worth while anyhow, so I'm just going to proceed with some old stuff. And it's country day again on the B Side, which brings me to The Band Perry. Never heard of them until this morning when I pulled up the Billboard Country music charts. Turns out they're from (here comes a shocker) the south - in Mississippi. They started making twangy tunes in 2005 or so. The band is made of a family, Kim Perry on lead and her two brothers - Neil and Reid. Let me tell you an odd tidbit about these guys. They were signed in August of 2009, and dropped a single right away in November. Another single dropped in June of 2010, with the album dropping in October of 2010. So, a year between singles, no big whoop right? Well, ANOTHER single came off this album just as recently as January. We're talking singles in three calendar years now! The only other time I've seen that is with Cage the Elephant. The album itself is certified gold status, so not a major seller - but doing a nice job. And I think this album is very well polished for a debut drop - but in terms of contemporary country music, this doesn't really stack up versus the rest of the artists out there. I'd much rather listen to Antebellum or even Taylor Swift versus this. And that doesn't mean it's bad, just bad by comparison. Check it out if you're a country nut, otherwise, sit it out.

TRACK LISTING:
1. You Lie
2. Hip to My Heart
3. If I Die Young
4. All Your Life
5. Miss You Being Gone
6. Double Heart
7. Postcard from Paris
8. Walk Me Down the Middle
9. Independence
10. Quittin' You
11. Lasso

Listen To Samples

Top 3 Tracks:
1. If I Die Young
2. You Lie
3. Hip To My Heart

FINAL RATING:
2.75 out of 5 stars

Tuesday, July 5, 2011

Metallica - Master Of Puppets



I know, I know, I know. I know what you're thinking. More Metallica B Side? Please...can't you find other metal to do? My response is, I've done 51 metal reviews now, and only three of them have been Metallica. And hey, I listened to this at total random over the weekend, and I forgot how awesome it is. Master of Puppets came out in 1986 and is 6x platinum in the USA. 1986. This came out around the same time as the H2O album I reviewed last week. Can you imagine? What an odd time in the industry. You had "rock" music like Hall and Oates out there for people to graze on, but then you also had "rock" music like this out there, with people banging their heads to it. What an odd time for rock in general. While we all know my stance on the poppy, synthed out version, it couldn't be more opposite for the metal coming out of the same time period. This album is flat out awesome. And you don't even have to be a metal nut to enjoy it. While I like hard rock, it's not exactly my wheelhouse genre or go-to genre. But I can toss a record like this one on, and I just groove away. And I sing along to tracks like 'Master', 'Sanitarium' and even 'Battery' a little bit. So it's got the lyrics, and not just the hard sound that makes people fear you're listening to the devil's music. My only complaint on this record would be length, at only 8 tracks. But hey, it's still awesome. Three monster hits (the ones I named earlier) and 5 more great songs. I won't go as far out on a limb to say it with certainty - but this might be the best metal album ever recorded. If it's not number one, it's at worst top 5. Book it.

TRACK LISTING:
1. Battery
2. Master of Puppets
3. Thing That Should Not Be, The
4. Welcome Home (Sanitarium)
5. Disposable Heroes
6. Leper Messiah
7. Orion
8. Damage, Inc

Listen To Samples

Top 3 Tracks:
1. Master Of Puppets
2. Welcome Home
3. Battery

FINAL RATING:
4.75 out of 5 stars

Ray LaMontagne - Trouble



First and foremost, I hope everyone had a nice, long holiday weekend. I know it's incredibly tough coming back from an extended weekend - and I personally am dragging my way through today. But music can help, so here we go. Ray LaMontagne today. How many of you have heard of him? I'm guessing not a ton of you nodded your head or raised your hand in agreement. He's done one commercial I think everyone would recognize - but that might be about it. Maybe I only notice it because I love dogs, but there is a Traveler's Insurance commercial where a dog can't sleep because he's afraid someone will steal his bone. Long story short, he finally insures it and feels safe - all to the tune of Ray's 'Trouble'. Pretty good commercial. Anyhow, Ray was born in 1973 in New Hampshire. Ray's dad was in the music biz, and because of that he always shied away from music in general. It wasn't until later in life, while working his late night job, he heard a Steven Stills song that drove him to want to learn more about music. And in 1999, he started putting music together and performing. He eventually amassed 10 tracks to use for a demo, and began sending it to various record companies. 'Trouble' here came out in 2004 and is certified gold by the RIAA. Other than the title track, a few other songs have been used in film and tv as well. And I think part of it is simply that the songs are so easy to listen to. They're all very well put together and easy on the ear. His style is so simply, but very cool to listen to. His voice is pretty raspy, and very soulful. Most tracks are just strumming an acoustic and letting his pipes do all the work. And the more upbeat tracks he does a great job coming across with enthusiasm, which some vocal artists like him have trouble with. I have a hard time seeing a reason not to go out and buy this. It's a really fun, solid listen.

TRACK LISTING:
1. Trouble
2. Shelter
3. Hold You In My Arms
4. Narrow Escape
5. Burn
6. Forever My Friend
7. Hannah
8. How Come
9. Jolene
10. All The Wild Horses

Listen To Samples

Top 3 Tracks:
1. Trouble
2. How Come
3. Narrow Escape

FINAL RATING:
4 out of 5 stars

Friday, July 1, 2011

Creed - My Own Prison



So I know that I've taken it on the chin a few times by saying I didn't mind Creed. Back in the day, I think they were a fairly good rock band that ended up getting progressively worse over time. What always entertains me is people always want to talk smack about Creed, and you have a hard time finding their supporters. Yet, they are one of the best selling bands of all time. TENS of millions of albums sold over the years, and the number keeps going up. When this dropped in 1997, you have to remember what was going on in the industry as a whole. The grunge movement was pretty much over, and you started to see the more "emo" and punk rock bands take over. Rap was starting to make a pretty big come back in the US too. I think in general, it was a time when America was yearning for good old fashioned, guitar strumming rock and roll. And no one really wanted to provide it. Although this album was toned down and made more radio friendly, it still has a solid rock sound to it. Lyrically is a pretty good album, and obviously had the "hits" too. I remember thinking Creed was nothing amazing, but this album changed my mind. And I'll state that this record is hands down my favorite, and the one I'd consider most tolerable for the casual listener. And at 6x platinum, many, many people out there would seem to agree. I'm not going to write today that you need to start giving Creed respect. The lead singer is a bit of an a-hole and their music has gone downhill. All I'm suggesting is, give this another shot sometime. You might be surprised in how good it is.

TRACK LISTING:
1. Torn
2. Ode
3. My Own Prison
4. Pity For a Dime
5. In America
6. Illusion
7. Unforgiven
8. Sister
9. What's This Life For
10. One

Listen To Samples

Top 3 Tracks:
1. My Own Prison
2. Ode
3. One

FINAL RATING:
4.25 out of 5 stars

Hall & Oates - H2O



Wow. I can't believe it's come to this. I'm really going to review Hall & Oates today. While undoubtedly ashamed of this, I'm going to run with it anyways. Why? Well, the summer concert scene in Wisconsin is pretty huge. Summerfest in Milwaukee typically brings the biggest acts in the business. Hall & Oates performed last night, which by no means makes them a big act. But people have been talking, and follower janis! went last night, and said it was "SO GOOD". Live performances aside, this is typically the music I cannot stand. But I'll give it a fair shake, and here we go. They started out in different bands in the late 60's when they met. While the two separate bands were performing in Philadelphia, gun shots rang out as rival gangs decided to let it go down at the concert. Why they were there is beside the point and beyond me. Anyway, when fleeing, the two ended up in the same service elevator - which got them talking. They found they had a ton in common, including attending Temple University. The duo became virtually inseparable after. One of the apartments they lived in had Hall & Oates on the mailbox, and the rest is history I guess. I decided to go with 1982's 'H2O' because it's one of 2 2x platinum selling albums for the band. And this one had at least one track I'd heard of before. Everything about this albums SCREAMS 80's. The cover (which is AWFUL) and then the actual music. I can't stand this. I mean, I tried. I tried really hard to find value in this album - and I can't do it. I'd rather listen to Ke$ha than this, and I know that's going to make janis! quite angry with me. Might even lead her to stop reading the blog. But I have to be honest, and I just loathe this music.

TRACK LISTING:
1. Maneater
2. Art Of Heartbreak
3. Crime Pays
4. One On One
5. Open All Night
6. Family Man
7. Italian Girls
8. Guessing Games
9. Delayed Reaction
10. At Tension
11. Go Solo

Listen To Samples

Top 3 Tracks:
1. Maneater
2. Maneater
3. Maneater

FINAL RATING
.5 out of 5 stars